{book} the colorless

When Tsukuru first hears Haida’s recording of Franz Liszt’s ‘Le mal du pays,’ from the Years of Pilgrimage suite ‘Year 1: Switzerland,” it is described as “a quiet, sorrowful piece that began with a slow, memorable theme played out as single notes, then proceeded into a series of tranquil variations” (68). Tsukuru asks Haida aboutContinue reading “{book} the colorless”