{film} two briefly + one

Saw Guy Ritchie’s Sherlock Holmes: A Game of Shadows (2011) last night. I will very likely write a review at some point, but for now: suffice it to say, it was brilliant fun. It was all we have come to love from Guy Ritchie, and then a bit more. ie. If you recall the trailer with Sherlock (Robert Downey, Jr), Watson (Jude Law), and Simza (Noomi Rapace) running through the woods amidst a maelstrom of explosions/gun fire. The full scene was incredible. The camera work, the editing, the lighting, color…Bliss.

Was glad to see the talented Noomi Rapace of the Swedish Millenium Series, Girl with the Dragon Tattoo (2009), etc. in such a successful film/role with the release of David Fincher’s Girl with the Dragon Tattoo (2011) with the eye-brow-less Rooney Mara (which I am looking forward to seeing/hearing, btw).  Jared Harris as Professor Moriarty is very good, very convincing. The acting was solid throughout the cast. And what a pleasure Stephen Fry was as Mycroft. I loved their translation of the elder brother! and well, I love Stephen Fry.

Have yet to read this NY Times Review, but I’m sure it is good. It’s A.O. Scott, so…[okay, had a skim. He doesn’t care all that much for it; story-/character-wise anyhow). and well, Roger Ebert’s review–the same, yet read, but he is a wiz.



The other day, we watched Cowboys and Aliens (2011) as directed by Jon Favreau, starring Harrison Ford, Daniel Craig, Olivia Wilde, Adam Beach, Sam Rockwell, and Paul Dano. I was debating a review, because honestly, afterward, I looked at Sean and shrugged. Olivia Wilde had the privilege of working known talents, and Ford and Craig and Favreau, etc were as expected. However, Olivia Wilde’s character was so ridiculous, and disturbing. And the chemistry between her and Craig’s Jake Lonergan went from uncomfortable to a discomfort of a different kind. Then there is the slow chase to get their people back is a challenge all its own. If Daniel Craig and his character were less well-rendered, the film would have been impossible to stomach. I mean, I love Harrison Ford, but the script/plot was painful.

This is a film where “just go with it” is absolutely necessary. You will have more fun this way, especially if you like Western meets Science Fiction-Alien. It had a quality that transports the viewer to reminisce older Westerns, while recalling classic alien encounter cinema: vistas, dark & claustrophobic interiors; colors–earthy and yet heightened; great sound effects and chase on horseback. The explosions, the effects, the sets, are notably higher tech than say Joss Whedon’s Firefly–no suprise budget-wise, right? Regardless of tech and cast, Cowboys & Aliens comes across more B or C movie in result. {image note: fans of Daniel Craig’s physique will be very pleased by all the shots of his rearend. It was becoming embarrassing how the camera was objectifying Craig. Then, it didn’t have much to linger on with the waifish Wilde.}

again w/ unread reviews, but I like to link them. Ebert’s review. Manohla Darghis at NY Times, review.


Have you discovered Kees van Dijkhuizen and his [the films of] series? Oh My but he is wondermous! I will post his [the films of] David Fincher and [the films of] Guy Ritchie, but follow the link and carve out a few hours. He is a gifted editor, his use of soundtracks are marvelous. He’s too good not to share, and I’ve been trying to figure out how to introduce him into a post a couple weeks now. Happy Holidays! enjoy!