Even though David Fincher’s The Game (1997) was a rewatch, it was almost like watching it for the first time. I remembered a few elements, but Sean wasn’t confirming the details. I was at the mercy of a slow and twisted mystery.
If you haven’t seen The Game, you should stop at after the second paragraph (—) and go watch it. At his troubled younger brother Conrad’s (Sean Penn) invitation, the game Nicholas Van Orton (Michael Douglas) finds himself embroiled in will have you wondering at it up to the very end. The question of whether Nicholas will follow in all the footsteps of his father is tied up in his survival of the game. Of course, another relevant question is: just where and when did the game begin?
It is fun to go back and watch an early film of a director you admire. The Game has the blue wash; the waist-high shot that zooms or cuts, but never pans; and Fincher’s meditative patience. Douglas and Penn are brilliant—Penn, so very young there! Tech is just a little outdated, and the soundtrack’s piano may become tiresome, but the film holds its thrilling edge just fine these 17 years later.
If you have seen it… The ending caught me off-guard and I was trying to remember if I’d felt the same way back when. I have a hard time understanding why Nicholas was not pissed by what his brother did, the lengths he went. I get the liberation from that haunting terror that interweaves the game-playing narrative—and I don’t. The extended display of gratitude was baffling. The romantic twist rang false.
Sean read that the original scripted ended with Nicholas landing, helped to his feet, and then walking out. Yes. If you’ve seen it, could you help me out here? Do you agree the better ending was the original one? How is the current one better and/or informed by the film?